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[REVIEWS > JOURNEY TO THE SUN]
05/18/2001
The casual pace of the film can be wearisome at some points. But each time we let our mind slip away, we are quickly pulled back by the intensity of the subject matter
Reviewed by Sue Limsukonth
 
"Journey to the Sun" traces a few turbulent weeks in the life of Mehmet (Newroz Baz), a young man recently migrated to Istanbul to make a living as a worker detecting underground pipe leakage for the water department. Although he is a member of the lower class, Mehmet is able to find joy in his job and in his relationship with Arzu (Mizgin Kapazan), a young woman working in a laundry. He also finds some contentment living in a cramped apartment—dingy atmosphere brightened by his congenial roommates—and in his newfound friendship with Berzan (Nazmi Quirix), a Kurd who sells cassette tapes on the streets while also active in an underground movement. But his simple pleasures are wrenched away suddenly when government officials mistake Mehmet, whose dark-skinned complexion resembles a Kurd, as a rebel. After being locked up and beaten for days, he is finally released to find his roommate who, afraid of being branded as rebels through their association with Mehmet, bar his return into the apartment. Further, his boss fires him from the job that he has the talent for. While his friend Berzan gets him odd jobs and provides him with shelter, Mehmet seeks refuge in his deepening relationship with Arzu, who fights to keep their liaisons a secret from her parents. Mehmet's life takes another drastic turn as Berzan gets killed during a protest. With loyalty for his best friend, Mehmet decides to take Berzan's body on a cross-country drive in order to put him to rest in the beloved village of his origin.
 
With funding from the Netherlands, Germany and her native Turkey, director Yesim Ustaoglu gives us a sharp view of present-day Turkey where ongoing protest for human rights by the Kurdish population and their subsequent arrests are prevalent. Against the backdrop of Kurdish liberation attempts—a hunger strike, the struggle to obtain scarce employment and the quest for equality among the Turks—Ustaoglu presents the friendship of two men from the opposite ends of the region. The casual pace of the film can be wearisome at some points. But each time we let our mind slip away, we are quickly pulled back by the intensity of the subject matter. The grim atmosphere during the first half of the film when we are introduced to these Istanbul immigrants is in stark contrast to the second half, when Mehmet journeys across the Turkish landscape with the coffin containing the body of Berzan. Ustaoglu invokes a sense of beauty and liberation in the transport of Berzan's body—the journey to the sun—although the landscape is desolate and bleak. Unfortunately, as distant as it may seem, the characters in "Journey to the Sun" and the hardships they endure are not entirely unique. There are countless countries in the middle of ethnic civil war that does not look like there is a solution to the problems. With every story like Berzan, there are still numerous men and women desperately struggling in hope that an accord might be achieved within their lifetime only to be disillusioned by the dream that is too unattainable.
 
Now in theatrical release
Los Angeles: Opens Friday 5/18 at Laemmle's Grande 4-plex
 
 
 

 

 
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